Wednesday 21 March 2012

Comedy: The URY Sketch Show 2012

Original home grown student comedy comes to the ((URY PLAYER)). Recorded last term in front of a live studio audience and has everything from depressed cross channel ferry captains to deranged dinner ladies in half an hour of fantastic sketches! Make sure you don't miss this great bit of brand new comedy from the acclaimed speech team in your national award winning student radio station!


Also watch out for more of our live comedy event next term which are free for students and an opportunity to get your laughter on the radio!


Woman's Quarter:

The remainder of Janey Stephenson's excellent series, looking at how current issues affect women in York now online !

Episode 4.
Female unemployment is at a 25 year high. Cuts to women’s services continue to shell welfare provisions at a time when they are most needed. Janey speaks to Helen Graham from York Stop the Cuts to discuss how women’s roles and rights in society are undergoing a rapid transformation by the coalition government's austerity measures.

Follow this link to find out more about the York Stop The Cuts campaign:

And the York Welfare campaign:

You can catch the episode on the ((URY PLAYER)) here now.

Richard Grimes
Episode 5

Janey is joined by Richard Grimes to discuss recent proposals to cut legal aid in the UK. Richard is a solicitor who focuses on litigation and social welfare law. He is the Director of Clinical Programmes at York Law School and has been a member of the Attorney General’s Pro-Bono Co-Ordinating Committee since 2003.

You can catch the episode on the ((URY PLAYER)) here now.

And make sure you tune in after Easter when Janey will return Sundays from 3 and you can catch the rest of the series on the ((URY PLAYER)) now here!

Wednesday 7 March 2012

Review: 'Measure for Measure'

by Kate Bull,

Shakespeare is the theatre of the people. Whether or not the adapter had that in mind when he began to tackle ‘Measure for Measure’ for the Barn was another matter.

The first ‘act’ was a 25 minute window to view artwork the Barn had loaned or purchased, which reflected the themes of the play. Fine, you’d argue. I see what he’s trying to do here. Combining the aesthetic with the theatrical, all that theatre theory which an ill-educated pleb like myself doesn’t quite understand. However, there was a little voice piping-up inside my head that squealed: “if I’d wanted to see art, I would have gone to the f***ing Norman Rae Gallery.”

Despite this, the art was thought provoking. Time and effort had evidently been invested into finding pieces that brought out certain issues in Shakespeare’s tragi-comedy. And, time and effort was given by the audience to look at, and absorb, the art. The allotted time of 25 minutes was perhaps too long, but then again, perhaps I don’t appreciate art properly. Or maybe I was impatient to see some theatre.

The second act began with four uniformed actors. The heavily stripped back script and the tightly choreographed movement combined to make it completely different to any other adaption of this play I have ever seen. Supposedly, the adaption was focused on the issue faced by Isabella – whether to sacrifice what she sees as her eternal soul for her brother’s corporeal life. I am not sure as to whether this came across – the audience perhaps was too involved in following the turbulent mixture of Shakespeare’s lines, the ad-libbing and the hilarious and successful puns that made up the hour long act.

No particular actor stood out as a performer – the four were given opportunities of monologues and they all shone brightly. Alone under a spot light in a completely black set, the engagement and emotion shown by the actors was impressive, and deserves congratulation. Gender roles and those of authority were passed between them with grace and ease, adding to the disturbing, ever changing nature of the adaptation.

Set and tech were very effective – the use of a projector screen mid way through the act, inventive. Contrasts – seen in the grey uniforms and the completely black set were startling. Most of all, after a particularly dimly lit scene in a courtroom, the house strip lights came on, causing gasps and moans of discomfort from the actors and audience alike.

Overall, it was an interesting way to spend a Friday evening. An ambitious adaptation and direction that proved very successful. Perhaps the nuances were lost on me – that’s what 8 hours in the library does to you. Perhaps, like Globe groundlings in the seventeenth century, I wanted to come and see some theatre that I could laugh at, relate to; some theatre that would let me relax and switch off. But, that said, it was an impressive performance of an interesting script. My ideas of what Shakespeare should be, however, are just different.

CAST:
Fran Isherwood
Helena Clark
Claire Curtis-Ward
Freddy Elleston

Hear our full audio review of the production on YorWorld on the ((URY PLAYER)) here.

Monday 5 March 2012

Auditions: 'The New World Order'

Monday V119 and Tuesday V044 (both days 7:30 until 10)

NOTE: This is a radio drama with many roles. Even if you have other commitments in weeks 8 and 9 it won't take much of time to record seeing as there's no need to be off script and no staging making it a great but not to time consuming project so why not get involved?

‘England, May 1645: The civil war that has torn England apart between King Charles I and Parliament is nearing its bloody conclusion — and in the English countryside, a stranger seeks his old love and finds there is a son whom he has never seen...’

You would be excused, perhaps, for thinking that this is the introduction to a thrilling historical novel. And you'd be dead right. Yet this is not the history you know, for the world has turned on to a new and deadly path.

With breathtaking imagination, Ben Jeapes has wrenched the familiar flow of English history out of its course and made it into something else, something entirely other. There is a third force, an entirely alien force — the Holekhor — who have martial powers of their own, their own religious leaders who command mysterious and strange forces, and who bring with them technology that should not have been seen in England for another three hundred years...

Prepare to be astounded. History will never be the same again.’

Described by the Sunday Times in 2004 as "Without doubt the best science fiction book of the year”, University Radio York has the privilege of the first ever dramatization of this incredible novel.
With the power of the radio in a student production we can create breathtaking battles on a scale of Hollywood blockbusters convincingly, hear as Cromwell rides up White Horse Hill, mines going off left and right, machine guns stutter in the darkness and the drone of an airship pervades the air.

Furthermore we have specially commisioned music which will give the production a real filmic feel. This is a production more ambitious than URY's national award winning drama team has ever attempted and it’s something that you can listen to for years to come.

With a selection of incredible complex characters caught up in a complex web of morality, religious fervour and political intrigue this is a production that truly will grip and astound hopefully (but only with your help!)

Characters

Dhon Do (John Donder) (lead)

General and estranged father who is forced to lead an invasion of England. A man who battles to come to terms with having to take the country he loves while coming to terms with being a father of a son he never knew he had. Foreign accent (possibly Scandinavian but open to interpretation)

Daniel Mathews (lead)

Young teenager and then young adult– needs to sound young but versatile actor as Daniel returns as a young man in the second part. Daniel is a young man who has grown up in the care of a local priest and survived the Royal defeat at Edgehill. The story shows the his relationship with his father develop through the political and military intrigue.

Cromwell (lead)

Leader of the Parliamentarian forces in the civil war. The key political figure in the story who is a forceful leader

Khonel Le (Mistress Connelly) (lead)

Strong willed women who is a refugee of the war in the old world and has set up a business providing weapons to the parliamentarian forces in the civil war. She has a complex relationship with the politics of England and Dhon Do (Donder). She has a foreign accent like Donder’s, again open to interpretation.

Francis

Elderly kindly priest who has brought Daniel up in his home village of Branheath. Fatherly figure of authority and morality the story.

Prince Charles/ King Charles the 2nd

Arrogant adolescent whose voice has just broken, aware of his rank and proud of it but watching his world fall apart around him. Becomes confident and elegant in manor in the second half but still has an air of childish authority although hes hiding a mask of great intelligence.

King Charles

Self important but nervous leader and family man who like his son is watching the world fall apart around him. – Stammering nervous character.
Re Nokh
Beurocratic snivelling jobsworth with foreign accent in line with Donder and Khonnel Le.

Princess Elizabeth
Young royal princess – stately and eloquent. Love interest in Episode 2 when she is in her late teens early twenties.

And there are a huge number of further characters.

And there are dozens more parts up for grabs including small children, other key men and women on both sides.
We are looking to get an further ensemble of around 20 people to voice all these extra parts so there is a vast amount to go around!

The drama will be recorded over a couple of weeks next term (provisionally weeks 8 and 9)

Audition material will be provided for each character outside the audition room.

Review: 'Yeoman of the Guard'

By Laura Stratford.

Before reading our review listen to the our preview of the production here.

2012 marks the Gilbert & Sullivan society’s 40th anniversary, and they were very excited to put on ‘Yeoman of the Guard’.

We are taken to the age of the Blitz, and this production has more of a contemporary feel. The Tower of London stands impressively on stage, the Yeoman of the Guard’s costumes are redolent of the TV series, ‘Dad’s Army’ and we get the occasional air raid in the background. It would have been nice to see this setting incorporated more into the script; as the show progressed, the big numbers drew your attention away from the radical concept. Transitions betweens scenes could have been smoother, the use of tech felt a little unrehearsed, and dialogue scenes lacked much lighting.

The opening overture, directed by Musical Director, Koki Imada, was well played. In the opening scene, we were met with Pheobe Meryll, played by Lauren Charlton-Mathews, who was probably the strongest actress and singer of the night, portraying well the cunning and sweetness of the good-time girl. There were other good and humorous performances. Sergeant Meryll, played by James Gaughan, was quite funny as the Pheobe’s father, the Yorkshireman devoid of emotions. Jack Point, played by Thomas Bruggenwirth, managed to convey different emotions despite his joker-like character. Dame Carruthers, played by Victoria Stewart, was entertaining as the randy old woman. Despite their efforts, I still felt the cast as a whole were more suited to singing than acting. It was particularly evident that when it came to the chorus songs, they felt at their most comfortable, where there were some beautiful harmonies. Whereas a few of the solos were a times a little off-tune or shaky.

Before this sounds like a damning report, I would like to point out that towards the Second Act, things picked up a little bit. A highlight had to be the chemistry between some of the actors, such as the entertaining ‘Cock & Bull’ waltz of a duet performed by Jack Point and Wilfred Shadbolt (Stijn Hanson). All in all, I may appear to have criticised this production, but I think the slightly lacklustre veneer was only due to nerves.

You can hear our full audio review on YorWorld now here!

Woman's Quarter: York International Women’s Week & Women of Palestine

This week sees the 101st International Women’s Day on Thursday 8th March. From 3-11th March, York will be hosting the 15th York International Women’s Week. Janey spoke to Sue Lister, the festival co-ordinator, and attended the first event, a workshop by Women of Palestine. Janey heard from two Palestinian women about life and women’s rights in Palestine.

To access the YIWW programme: www.yorkwomen.org.uk

Sameeha’s blog, documenting life as a Palestinian woman living in Gaza: www.sameeha88.wordpress.com

For further events in support of Palestine, York Palestine Solidarity Campaign: www.yorkpsc.org.uk

Hadeel, the UK fair trade supplier of Palestinian food and crafts: www.hadeel.org

Both the facilitators of the Women of Palestine event:
Amnesty International York: http://yorkamnestyuk.blogspot.com/
Refugee Action York: http://refugeeactionyork.org/

YorWorld: 4th March 2012

On YorWorld this week Paddy Evans speaks to John Kampfner, Google's adviser on free speech. 


We review Dramasocs controversial production of 'Measure for Measure' and Gilbert and Sullivan Society’s second world war interpretation of 'Yeoman of the Guard' and preview next week’s Pinter double bill by chatting to director Lewis Gray.

 If that wasn't enough we also have a preview of 'Two of a Kind', the latest offering from TFTV students. YorWorld is from the national award winning speech team at URY.

Catch the programme now on the ((URY PLAYER)) here!